Morning light on the very last day is an algorithmically processed photographic collage.
Whether algorithmic, biological, or social, we live enmeshed in code— and increasingly, with the rise of computer vision and machine learning, as participants in ecologies of sensory systems both human and non-human. Developed in a collaborative process between artist and machine, this print is part of a larger body of work that juxtaposes two visions: algorithmic logic and that of the human eye. They also revel in something which both tend to recognize: the unique beauty of each breath, moment, body, or brilliant sky.
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